Wednesday, April 22, 2026

Rethinking the “Literature as History” Frame in African American Fiction


By Jeremiah Carter

Black readers often enter an introductory African American literary studies course expecting to learn more about Black history, and that expectation can place instructors and texts in the position of redirecting attention toward the imaginative, formal, and aesthetic dimensions of the field.

I wanted to test whether the Literary Navigator Device might clarify the basis, and the limits, of this expectation concerning history and literary production. I began by selecting “Novel” as the reading form and “21st century” as the period of publication, maintaining these filters throughout the search. The Navigator yields 932 contemporary novels by Black writers.

Next, I selected “Historical fiction” as the genre, which yielded 57 titles. After clearing that genre filter, I selected “Neo-slave narrative,” which produced 18 results. These results suggest that while historically oriented narratives remain visible and influential, they constitute a relatively small portion of contemporary Black fiction.

The expectation that African American literature primarily revisits the past reflects a narrow slice of the field rather than its full range. The Literary Navigator Device makes it possible to see that a much larger number of novels fall outside of a literature-as-history framework.

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Tuesday, April 21, 2026

Writing Black Panther (Trailer 3)

Writing Black Panther traces Ta-Nehisi Coates's presence in comic books from 2015-2023, focusing on his contributions as the writer for Black Panther. His ambitious 50-issue run of the Marvel comic coincided with ongoing and multifaceted debates concerning diversity and inclusion – what we might call representation struggles – at a key moment in the history of comics with respect to Black writers. 


Writing Black Panther (Trailer 2)

A timely look at contemporary African American creative works through the lens of Ta-Nehisi Coates's ground-breaking entry into the comic book industry.
 

Black Panther Covers & Variants



Black Panther Prints, Reprints, and Variants 

Related:

Ta-Nehisi Coates’s Black Panther: Podcast and Video Series


Here's a roundup of podcast episodes related to Ta-Nehisi Coates and his run on Black Panther

Audio

Video
Related:

Writing Black Panther (Trailer 1)




This year marks the 60th anniversary of the the founding of the Black Panther Party for Self Defense and the first appearance of T'Challa (Black Panther) in comics. As it turns out, Writing Black Panther, a book about Ta-Nehisi Coates's run on the comic, appears in May 2026.

Monday, April 20, 2026

Fewer Passing Novels, Younger Subjects


By Elizabeth Cali 

The subject of racial passing and addressing mixed-race identity arises in many – if not most – classes in African American literary studies. I wondered how many 21st-century novels from the Literary Navigator Device dataset fall into the category of mixed-race/passing novels.

From 2000-2024: just four. The dataset does not include any novels on the subject published in the first decade of the century, one novel in the 2010s, and three novels in the 2020s (to date). With such a small dataset it, was easy to start investigating cross-references with these four novels and other tags organizing the dataset. I immediately moved to see what other genres and categories might connect these four novels.

Three of the four mixed-race/passing novels published in the 21st century and included in the Navigator dataset take youth as some aspect of their focus. Two of the three are coming-of-age novels: Daven McQueen’s The Invincible Summer of Juniper Jones and Britt Bennet’s The Vanishing Half. Two of the same set of three are categorized as YA, or Young Adult fiction: Elyse Bryant’s Happily Ever After and Daven McQueen’s The Invincible Summer of Juniper Jones.

It’s interesting to consider that perhaps the most well-known and most frequently taught novel on passing, Nella Larson’s Passing (1929), focuses on adult Black women navigating their identities as mixed-race, light skinned women who could pass, and addresses adult audiences. Yet, three of the four novels we have tracked as mixed-race/passing novels in contemporary African American literature focus on a young adult audience and/or the experiences of identity formation in the movement from childhood into adulthood.

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Following the Prolific Path of Walter Mosley


Selection of novels by Walter Mosley


Walter Mosley appears more than any other novelist in our dataset for the Literary Navigator Device, suggesting that high productivity and genre specialization are closely linked to consistent output over time.

Type “Walter Mosley” in the search bar for the Navigator, click “Novel” for Reading Form and “21st century” for Period of Publication, and the first 29 results will be attributed to fiction by Mosley. Only five authors in our dataset of 21st-century novels have published more than 10 novels: Mosley, Alex Wheatle (13), Percival Everett (13), Eric Jerome Dickey (12), and Tracy Clark (11).

Notably, more than twice as many novels by Mosley as the next closest high-output author appear in the dataset. Mosley primarily publishes detective novels, and his prolific output suggests that genre fiction can facilitate a steady rate of publication.

Mosley’s presence in the dataset highlights how certain genres support long-term productivity. More broadly, the Navigator highlights how a small number of highly prolific writers account for a significant share of novels within 21st-century Black fiction.

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