Monday, April 6, 2026

Black Writers of Memoirs and Gender Breakdowns



By Elizabeth Cali

I had been considering the persistence of Black authored memoirs/autobiographies as a form Black writers adopt for their storytelling, and then, I wondered how the numbers of published autobiographies would break down according to the authors’ gender identities.

I searched the mid and late 20th century and the 21st century periods of publication in the Literary Navigator Device (across a total of roughly 75 years), selecting autobiographies/memoirs as the “Reading Form” for each. I selected all genders first, to get total works published in this form, and then limited by Black men authors, Black women authors, and so forth in each period of publication.* Black men authors produced 6 of the 7 autobiographies/memoirs noted in the literary navigator device in the mid-20th century (1940-1965). Zora Neale Hurston’s Dust Tracks on a Road stands out as the lone Black woman authored work among the autobiographical works of Black men in that period of publication, who include Langston Hughes, Malcolm X, Claude Brown, James Weldon Johnson, and Richard Wright.

But would there be a gender publication shift in the latter part of the 20th century, I wondered? More like assumed. Yes, indeed. The Navigator Device tracks 13 noted autobiographies/memoirs from 1966 – 1999. 10 of these are by Black women. The 21st century period marks 16 publications of autobiographies/memoirs by noted Black women authors, with 8 authored by Black men.

The results suggest that over the course of 75 years, both Black men and Black women alike find life writing forms to be fruitful literary avenues for their authorial work. They also suggest that Black women authors and popular and public figures in particular have found the form to be a significant productive outlet.

* While my searches by “Author Gender” included selecting and limiting by nonbinary identities, the Literary Navigator Device did not show returns for these limits.

Related:

Tracking Biographies of Black Women Writers



By Jeremiah Carter 

I began by wondering about the gender breakdown of biographies about Black literary figures.

For “Reading Form,” I selected “Biography”, and for “Author Gender,” I selected “woman.” Using the filters, I selected “Late 20th century (1966–1999).” I then repeated the search, selecting “21st century.” I repeated the same process after changing the “Author Gender” to “man” and used the Late 20th Century and 21st Century filters.

Results showed that in the mid-20th century, 2 of the 12 biographies by men are about Black women writers, in the late 20th century, 1 of the 3 biographies published by women focused on a Black woman author, 2 of the 15 total biographies by men, and in the 21st century, 18 of 23 biographies by women focused on a Black woman author, while none of the biographies by men in the 21st century covered the impact of notable Black women literary artists.

This discovery suggests that there was a window in the late 20th century in which scholar/biographers attempted biography projects on a gender different from themselves. It also shows how the Navigator makes it possible to identify trends in biography subjects.

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Sunday, April 5, 2026

Painting the Enslaved as Liberated

A brief take on Kerry James Marshall’s portraits of John Punch, Scipio Moorhead, and Harriet Tubman, reimagining enslaved figures as liberated subjects through contemporary Black artistic interpretation.

Written by Howard Rambsy II
Read by Kassandra Timm

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Related:

Phillis Wheatley Across Time

A brief take on Phillis Wheatley’s portrait, tracing Scipio Moorhead’s 1773 image, Kerry James Marshall’s reinterpretation, and its circulation on a 2026 U.S. Postal Service stamp.

Written by Howard Rambsy II
Read by Kassandra Timm


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Naming Black Poetry

A brief take on evolving labels for Black poetry, tracing shifts from Negro poetry to Black poetry to African American poetry through anthology titles reflecting changing cultural identities.

Written by Howard Rambsy II
Read by Kassandra Timm

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Racialized Anointments

A brief take on racialized anointments, tracing how media repeatedly elevate one Black writer at a time, narrowing attention while obscuring the broader landscape of African American literary production.

Script by Howard Rambsy II
Narration by Kassandra Timm

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Toni Morrison from Nine Appearances to Thousands

A brief take on Toni Morrison’s rise in graduate research, showing how dissertation data tracks her shift from minimal attention in the 1970s to central prominence in African American literary studies.

Script by Howard Rambsy II
Narration by Kassandra Timm

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Thursday, April 2, 2026

Free Books

A brief take on free book distribution at SIUE, showing how giving students hundreds of titles and hosting browsing sessions sparked excitement and expanded opportunities for reading, conversation, and engagement with arts and humanities. 

Script by Howard Rambsy II 
Narration by Kassandra Timm

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